a
syllabus for jazz guitar

This is not a detailed
list: what I am stating here are the main areas of music theory that have
to be integrated (gradually!) into your practice and playing. (This does
NOT include areas of physical technique, ie HOW to play and practice.
For some thoughts on that, see some
technical advice .)
Scales
Firstly,
major, mixolydian, dorian minor, aeolian minor, lydian, blues scale, bebop
scale, pentatonic minor and pentatonic major.
Then: melodic minor ascending ('jazz minor'), diminished and augmented.
Then: the remaining modes of the major and melodic minor, including lydian
dominant and super locrian.
Then: harmonic minor and its modes.
Arpeggios
The
3-note major and minor, and 4-note 7th chord arpeggios.
Then, five-note arpeggios with upper extensions.
Substitute
scales, arpeggios and chords
Playing
one chord or scale when another is written on the music sheet is a well-used
way to generate harmonic interest. The most common one is the tri-tone
substitution (play Db7 for G7). I like playing penatonic minor scales
as subsitutes, eg over Dm7 G7 Cmajor7 A7b9 use Am Bbm Bm Cm pentatonic
respectively. See Steve Khan's book ( books
I recommend
) for more on this.
Chords
1)
Chord composition:
Triads
7th chords
extensions (9th, 11th, 13th and their alterations)
2) Chord texture:
Open position chords
Barre chords
Chords on 2, 3, 4, 5 or 6 strings
Voice-leading
Rhythm
The
difference between swing and even feels
8th note and 16th note rhythms
Different styles of comping (accompaniment)
Repertoire
Blues
Minor blues
Rhythm changes
32-bar standard tunes of the American songbook
Modern jazz standards
Chord/melody
playing
This
is the
application of all the above, such that the listener simultaneously experiences
the melody, harmony and rhythm of a piece. I used to divide my playing
into 'chords' and 'lead', but now that I can integrate them both in one
moment I enjoy my music much more.
Improvisation
Growing fluency
in the above areas form a basis from which improvisation can be developed.
See my page on improvisation improvisation
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